MOVEMENT

The human body is incomprehensibly amazing. We emote, express, and evolve through movement.

In theatre, there’s a fine balance between finding and creating movement. It’s a space where the organic and theatrical exist together, that’s where my work lives.

Movement in performance ought to be a sensorial experience, as much for the performer as for the spectator. We play with opposites, intentions, and emotions to achieve this.

We use movement to elongate text, music, and stories. The result is both ephemeral and infinite, for movement is life.